The Unofficial Apple Weblog (TUAW)

Here at TUAW, we've not given Apple's Logic Studio a great deal of coverage recently. In particular, back in July 2009, Apple released its latest iteration of the popular music production software, Logic Pro 9 (alongside the upgrade to all its various virtual studio components too), and not much has been mentioned about it since.

With Pro Tools' much vamped version 8 released at the beginning of 2009, and, more recently, the introduction of Reason's new DAW Record (not to mention all the other powerful DAW's out there), we thought it was high time to take a good look at the new features of Apple's flagship music production solution.

Since Logic Studio boasts over 200 new features, and takes a one-size-fits-all approach (basically everyone will find something different to take away from this enormous package), we're not going to do a comprehensive review (well, not at this stage anyway). Instead, we'd love to hear from you (sitting in your dark studio making funny noises and dreaming of Grammy's) to share with us how these new features are working out in the real world.

What's that awesome new feature you keep on going back to? What's the most annoying problem that disrupts your work flow? From the tones of 'Pedalboard' and 'Amp Designer' to being a master of time with 'Flex Time,' how is it all working out for you?

Apple describes Logic Studio to be "...a complete set of professional applications that lets you write, record, edit, mix and perform. It's also the largest collection of modelled instruments, sampler instruments, effect plug-ins, and audio loops ever put in a single box. So it's easy to get amazing sounds and amazing-sounding recordings. Now you can tackle any stage of your project yourself - without losing your inspiration along the way. " Do you agree with this statement?

If Logic 9 isn't your DAW of choice, or you haven't yet upgraded, now's your chance to tell the world why your DAW is genuinely better. Or why you're sticking to your Logic 8 guns because you think Logic 9 (Studio) isn't worth the upgrade. This isn't a time to gloat and sneer (I'm looking at you Pro Tools people in the corner, you're always up for a fight!!!), but rather to get some genuine conversation going on what really works and what doesn't on our beloved Mac platform.

In the future we're aiming to do a series on the various components of Logic Studio. To get to grips with the nitty gritty of what each application has to offer. If you work professionally, and rather closely, with one of these apps then let us know, we'd love to hear from you.

Here in the UK, it's getting pretty chilly on the willy compared to a month ago, or so. The warm memories of the summer are slowly dwindling to the reality of earlier, darker evenings (the clocks have just gone forward) as well as tentative first visits from our old friend Jack Frost. Generally speaking, the cold grasp of winter is steadily fastening on us (or not).

But we are blessed with a few heart warming occasions over the winter season (Christmas, New Years Eve etc) that make the cold, well, a little less nippy on the bone. One of these such occasions is, of course, Guy Fawkes night (Remember remember the 5th of November...) And, to me, that means one thing, HOUSE PARTY! And what does a great house party need? An authentic DJ.

So when I heard my main man Dan the DJ couldn't make the party (or at the least lend me his decks) I turned to the next best thing, Sonorasaurus - the first complete deejay setup for the iPhone / iPod Touch.

At this point you may be wondering what a DJ app has to do with 'Count The Beats', or, in fact making music on an Apple platform, but it quite literally has everything to do with it. Come on, we all know that deejays are real musicians too, right?

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If you've ever played Gears of War 2 (who hasn't), or watched Desperate Housewives (we know you secretly love Mrs Van De Kamp), then chances are you've heard music composed by Pieter A. Schlosser from PaaxMusic in Los Angeles.

Pieter's been in the music business for the last five years working on a whole lot of tunes for film, TV and gaming. From CSI New York to composing in "French" for The Sims 3, he's got a wealth of experience in this field and, must be mentioned, he's an avid reader of TUAW too.

When Pieter got in touch with us regarding our 'Count The Beats' series, and sent us the above picture of his studio, suffice to say that the TUAW offices descended into a flurry of excitement (papers flying in the air and everything). What can we say, we love a picture of an inspiring setup.

The logical next step was to sit down with Pieter and talk shop. Read on to find out how the complexities of this mighty setup come together, how the iPhone works as a part of the composing journey, a little bit on DAWs, the "dream upgrade" and how to get the job done when all else is failing.

A word of warning, there is some serious music tech geekery ahead. If in doubt, just pretend that it all makes sense and slowly nod your head, then move onto the next paragraph. That's what most of us do anyway!

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Any musician worth his/her credit knows that accurate tuning is a given. It's a crucial starting point to playing any instrument at home, on the job, in the studio, or on the road, and an embarrassment when it isn't.

Some time ago I was doing an unplugged acoustic gig when my regular stomp box tuner broke down mid-rehearsal. I was in desperate need of a reliable tuner, without a music store in sight. Roll on Agile Partners Guitar Toolkit [iTunes link] for the iPhone/iPod Touch at £5.99

I had heard about various tuner apps on the App Store, but I was reluctant to try any of them. I could not believe that a tuner on my phone would provide the same accurate and reliable tuning that my current (expensive) tuners could. However, I was desperate, so I took the plunge.

Utilizing the iPhone's built in microphone (or the iPod Touch with a microphone headset), Guitar Toolkit's chromatic tuner performed just like using any other quality tuner. It was simple, effective and to my delight, it got the job done.

After the gig, upon further inspection, I soon realized that there was much more than just a common guitar tuner in this app.

Guitar Toolkit comprises a chromatic tuner, a metronome, a chord section, and a scale section too (practice your scales!!).

The chromatic tuner can be used to tune a variety of stringed instruments. By changing the 'mode' selector on the tuner, from standard 6-string EADGBE guitar tuning to 'all notes' tuning, you'll be able to tune almost any musical instrument. Or, you can preselect a particular stringed instrument, from a custom list, for that instruments specific tuning arrangement (guitar, bass, banjo, mandolin, etcetera).

If you're feeling creative, why not come up with your own custom tuning arrangement and input it into the tuner for later reference, or choose one from the alternate guitar tuning selection. DADGAD anyone?

For advanced tuning, you can alter the standard reference pitch from 440.0 Hz to whatever you'd like (some orchestras play at varying reference pitches). I've used it to tune a violin perfectly, and for all you bass players Guitar Toolkit, using the iPhone's microphone, picks up those low notes as well.

There are a few noticeable nice touches here and there. On the tuner, there is the option to alter the display to a 'high contrast mode' for tuning in low ambient light conditions. Also, when the app is open, the power saving/auto-lock features of the iPhone are disabled so the tuner remains usable until you're finished.

Short of being able to plug an instrument line directly in, I can't find a fault with the the Guitar Toolkit tuner.

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Welcome to a brand new series focusing on music creation on the Mac and iPhone platform.

As you know, here at TUAW, we are crazy about anything Apple. We just love it! But, dear reader, this is not the be all and end all of our hearts. For many, if not all of us, music is a great passion of ours too. So, when these two worlds collide, naturally, it's a beautiful thing.

Recently, you may have seen a few posts on TUAW covering iPhone apps such as FourTrack and Noise.io or Soundboard for the Mac. Well, in this series, we are going to be singing a similar tune but taking a bit more of an in-depth look, or, if you will, taking things a semi-tone down (OK, enough with the music word play).

What exactly can you expect from this (fortnightly) series? If you're a home studio enthusiast (or a singer-songwriter trying to make ends meet) there will be tips, tricks and how-tos from Garageband all the way to Logic Studio and everything in between. Reviews on some of the latest and greatest music creation software and hardware for the Mac and iPhone/iPod Touch as well as, every now and then, a bit of inspiration for those rainy days.

But don't fret (oops!) if you can't hold a tune. For those less musically inclined we know you still need a soundtrack for the holiday you had with Granny last year and she wants to share the photo's on a DVD with some 'hip and happening' music in the background - we've got your back.

Stay tuned and leave a comment if you have any bright ideas for what you'd like to see covered in this new series.